Tag Archives: Rashad Becker

2016

Posted on 13 December, 2016 by Guy

After all the crap that’s happened this year, it seemed like there wasn’t much point in writing an end-of-year list. Given the deaths of so many musicians, the rise of authoritarian nationalism and xenophobia in Europe and the US, and … Continue reading →

Posted in Music | Tagged 2016, Ancient Methods, Bandcamp, Beatrice Dillon, Calum Gunn, Drøne, end-of-year list, Eric Frye, EVOL, FIS, Goto80, Graham Dunning, Hieroglyphic Being, Jay Glass Dubs, Jens Harder, Jim O'Rourke, Jung An Tagen, Karen Gwyer, Kevin Drumm, Kindohm, Machine Woman, Mark van Hoen, Mike Harding, Nguashi N'Timbo, NYZ, Oren Ambarchi, Paul Jebanasam, Peder Mannerfelt, Rashad Becker, Resonate, Rian Treanor, Russell Haswell, S. Olbricht, Sote, TidalCycles | Leave a comment

Computer Fatigue and the Rise of Sonic Complexity

Posted on 15 November, 2013 by Guy

Last month sound artist Kate Carr wrote an article called Computer fatigue and the rise of the human which examines how and why some electronic musicians are turning away from the computer and digital recording/processing in favour of using analogue … Continue reading →

Posted in Art, Audio, Complexity, Music, Research, Visual Perception | Tagged aesthetics, Autechre, computer fatigue, computer music, digital, evolution, Exai, generative art, genetic algorithms, Kate Carr, L-Event, Lee Gamble, lo-fi, Manuel De Landa, Michael Serres, Philip Galanter, Rashad Becker, sonic complexity, speech, text, topological music | 8 Comments

Tag Archives: Rashad Becker

2016

Computer Fatigue and the Rise of Sonic Complexity

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